Argentina
Buenos Aires
1996 · Buenos Aires

Spain · 13th Century
In 1251, the monastery church of Saint John of the Abbesses (San Juan de las Abadesas) in the Pyrenean region of Catalonia, Spain, commissioned a remarkable artistic project. The church had been founded in 887 by Count Vifred el Velloso in this remote mountain region, and by the 13th century it had become an important Benedictine monastery. Skilled artisans in wood were engaged to create a devotional sculpture depicting the Descent from the Cross (the Deposition of Christ), featuring life-sized polychromatic figures carved with extraordinary expressiveness.
The sculptural ensemble included seven figures: Jesus Christ being removed from the Cross, the Blessed Virgin Mary, Saint John the Evangelist, Joseph of Arimathea and Nicodemus (who took Christ's body down from the Cross), and the two thieves crucified alongside Christ. When the master craftsman carved the head of Jesus, he made a deliberate architectural decision: he created a cylindrical cavity approximately two and a half inches in diameter in the forehead of the crucified Christ, concealed behind the crown of thorns. The purpose of this hidden compartment was liturgical—it was designed to serve as a tabernacle for the reservation of the Blessed Sacrament within the sculpture itself, allowing the faithful to venerate Christ's Real Presence within the image of His crucifixion.
Sometime in 1251, after the sculpture was completed and installed, someone placed a consecrated Host within the hidden cavity in Christ's forehead and sealed it with a small silver plaque. However, as years passed, this act was forgotten. The memory of the Host concealed within the sculpture was completely lost to time, as successive generations of monks and faithful knew nothing of what lay hidden behind the silver plaque. For 175 years, the Host remained entombed in the sculpture, unknown and unremembered.
In 1426, during restoration work on the aging wooden statues, workers made an astonishing discovery. While examining and repairing the crucifix, they found the hole in Christ's forehead, sealed by a small silver plaque that had become tarnished with age. When they carefully removed the plaque and peered inside the cavity, they found a white linen cloth. Unwrapping the cloth with trembling hands, they discovered a consecrated Host that had been placed there 175 years earlier—in 1251—completely intact and uncorrupted despite the passage of nearly two centuries. The Host showed no signs of decomposition, mold, or deterioration that would naturally occur with ordinary bread over such an extended period. The miraculous preservation was immediately recognized as supernatural, confirming the Real Presence of Christ in the Eucharist. The Host remains preserved in the forehead of the wooden statue of Jesus to this day, and is adored and visited by numerous pilgrims who come to the Monastery of Saint John of the Abbesses to venerate this unique relic.
The Host is preserved in the forehead of the wooden statue of Jesus at the Monastery of Saint John of the Abbesses and is adored and visited by numerous pilgrims.
This miracle has local Church veneration, pilgrimage sites, or chapels, but no formal diocesan investigation or decree has been documented.
The Holy See has established a precise procedure for the recognition of Eucharistic miracles through the Dicastery for the Causes of Saints. However, the available magisterial documents do not contain any record of an official investigation or approval of the alleged miracle at San Juan de las Abadesas (1251). No papal bull, diocesan declaration, or formal judgment has been found.
Recognition status cross-referenced using Magisterium AI, a third-party tool that searches a corpus of Catholic Church documents. This does not constitute official Church verification.
Official Carlo Acutis exhibition page with full account
Official Spanish tourism information on the monastery and its artistic treasures
Detailed English account with historical and devotional context